REDWOOD MOUNTAIN
Heading up our homegrown releases is a wonderful recreation of old American folk songs from REDWOOD MOUNTAIN, a duo that features Dean Owens and fiddler Amy Geddes.
The self titled CD has been built around Alan Lomax’ “The Book Of American Folk Songs”. A friend, Neil May, gave Dean a first edition copy of the book, who became intrigued by the lyrics and characters, and began devoting new arrangements too them.
Dean’s old Nashville pal Suzy Bogguss did a similar project a few years ago, and whilst Suzy choose some of the best known old American Folk Songs, Dean and Amy have gone for much lesser known songs. Throughout the album, Amy’s fiddle and harmonies beautifully contrast Dean’s vocals.
Many of the songs are performed in an old timey, ballad style. Certain songs, like “On The Range Of The Buffalo” had me thinking that Dean’s interpretations were similar to what you’d expect Marty Stuart to come up with.
“Run Boys Run”, is the one track which really shows Amy’s harmonies off, and also the Double Bass, played by Kevin McGuire, the only other musician on the project.
“Fair Thee Well Honey”, has an old English (Greensleeves) feel to it.
The first minute of “East Virginia” needed no instrumentation, before Amy’s fiddle just squeezes in for effect. It’s a beautiful arrangement, and really stands out.
There are a couple of numbers with a bit more upbeat, modern arrangements, like “Railroad Man” and “Rye Whiskey”.
There’s also a couple of fiddle instrumentals, one composed by Dean, the other by Amy.
As was with Dean’s previous Johnny Cash and Hank Williams albums, the project concludes with a Dean Owens’ original. “Take It Easy, But Take It”, is a modern song, but still fits in with the rest of the album. Dean has certainly got himself immersed in this music, and the result is this beautiful album.
He’ll be touring with the project in the summer, including The Southern Fried Festival in July, In the meantime, get the album from his website www.deanowens.com
The self titled CD has been built around Alan Lomax’ “The Book Of American Folk Songs”. A friend, Neil May, gave Dean a first edition copy of the book, who became intrigued by the lyrics and characters, and began devoting new arrangements too them.
Dean’s old Nashville pal Suzy Bogguss did a similar project a few years ago, and whilst Suzy choose some of the best known old American Folk Songs, Dean and Amy have gone for much lesser known songs. Throughout the album, Amy’s fiddle and harmonies beautifully contrast Dean’s vocals.
Many of the songs are performed in an old timey, ballad style. Certain songs, like “On The Range Of The Buffalo” had me thinking that Dean’s interpretations were similar to what you’d expect Marty Stuart to come up with.
“Run Boys Run”, is the one track which really shows Amy’s harmonies off, and also the Double Bass, played by Kevin McGuire, the only other musician on the project.
“Fair Thee Well Honey”, has an old English (Greensleeves) feel to it.
The first minute of “East Virginia” needed no instrumentation, before Amy’s fiddle just squeezes in for effect. It’s a beautiful arrangement, and really stands out.
There are a couple of numbers with a bit more upbeat, modern arrangements, like “Railroad Man” and “Rye Whiskey”.
There’s also a couple of fiddle instrumentals, one composed by Dean, the other by Amy.
As was with Dean’s previous Johnny Cash and Hank Williams albums, the project concludes with a Dean Owens’ original. “Take It Easy, But Take It”, is a modern song, but still fits in with the rest of the album. Dean has certainly got himself immersed in this music, and the result is this beautiful album.
He’ll be touring with the project in the summer, including The Southern Fried Festival in July, In the meantime, get the album from his website www.deanowens.com
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